#We were here together soul stone movie

“It was hard to come in suddenly and write songs. “Songwriting for me, at the time of ‘Rubber Soul,’ was a bit frightening because John and Paul had been writing since they were three years old,” George Harrison remembers. “The drugs are to prevent the rest of the world from crowding in on you. “’Rubber Soul’ was the pot album and ‘ Revolver’ was the acid,” Lennon explained in 1972. A lot of other influences were coming down and going on the record.” Now we get to ‘Rubber Soul’ and begin stretching the writing and the playing a lot more. I feel that we made it on love songs (all the initial songs were love songs). We were expanding in all areas of our lives, opening up to a lot of different attitudes. And because they were writing different material, we were playing differently. Ringo fills us in on another reason for the changes in the songwriting on the album: “Grass was really influential in a lot of our changes, especially with the writers. (Bob) Dylan was influencing us quite heavily at that point.” Now we can branch out into songs that are more surreal, a little more entertaining.’ And other people were starting to arrive on the scene who were influential. ’ The early material was directly related to our fans, saying, ‘Please buy this record,’ but now we’d come to a point where we thought, ‘We’ve done that. Paul explains: “The direction was moving away from the poppy stuff like ‘ Thank You Girl,’ ‘ From Me To You’ and ‘ She Loves You. Well you know they’re good – but it’s plastic soul.’ So ‘plastic soul’ was the germ of the ‘Rubber Soul’ idea.” In fact, at the end of the first take of “ I’m Down” the tape captures Paul exclaiming, “ Plastic soul, man, plastic soul!”Īs far as their songwriting on the album, it was obvious that a change was in the air. I’m saying how I’d just read about an old bloke in the States who said, ‘ Mick Jagger, man. I’ve heard some out-takes of us doing ‘ I’m Down’ (from June 14th, 1965) and at the front of it I’m chatting on about Mick. “I think the title ‘Rubber Soul’ came from a comment an old blues guy had said of Jagger. Paul himself, however, fully explains how the title came about. “That was Paul’s title,” John Lennon said many years later, adding, “It was like ‘ Yer Blues,’ I suppose, meaning English soul…just a pun.” Barry Miles, co-author of Paul McCartney’s book “Many Years From Now,” claims it “was a reference to rubber-soled shoes as well as soul music.” Hints at an explanation of where “Rubber Soul” came from can be found from different sources. During an interview on November 1st, 1965, Paul stated concerning the album, “the title of which could be ‘ It’s The Bloody Beatles Again!” or ‘ Eight Feet Away.’” But what exactly is a “rubber soul?”Īlmost three weeks into recording the album, they still hadn’t decided on a title.

#We were here together soul stone movie

Instead of using a song title, a movie title or a cute catch phrase (like “With The Beatles” or “Beatles For Sale”), they came up with something unique. Never before had a Beatles album title raised so many eyebrows.

“Some of the material on…the 1965 ‘Rubber Soul’ album was just brilliant what was happening elsewhere was nothing like it.” “I felt we were progressing in leaps and bounds, musically,” remembers Ringo Starr. W ith confidence high and only a month to record the album, they proved themselves up to the task. Therefore, they didn’t delve back into their old Cavern repertoire to resurrect some old favorites as they had on last year’s “Beatles For Sale” album. This time around, though, The Beatles decided to only feature original material, a policy they kept to throughout the rest of their career (with the slight exception of “ Maggie Mae” on the “ Let It Be” album).

They fulfilled this agreement for the first two years of their contract, but since their first album for 1965, the soundtrack to their motion picture “ Help!,” hadn't been released until August of that year, they felt extremely rushed.Īfter their second American tour was completed on August 31st of that year, they worked hard to scrape together enough new material to fill the required fourteen tracks for their sixth British album as well as two additional songs for a year-end single. The strict policy The Beatles had followed since their signing with EMI’s Parlophone label was to produce two albums per year, notwithstanding their hectic schedule otherwise.